PROJECTS

Nick was thrilled to return to Boston's Tony-winning Huntington Theatre Company in their production of Sondheim's Pulitzer Prize-winning Sunday in the Park with George as Louis the baker and Dennis

He also had the pleasure of understudying George (played by Adam Chanler-Berat)

Nick spoke with Kilian Melloy at Edge Media Network to discuss playing Louis/Dennis, covering the role of George, his career thus far, all things Sondheim, and Sunday In the Park...

You can read the interview here

​

​
The season prior, Nick had the opportunity to play Mr. Erlanson, the tenor quintet member, in their production of A Little Night Music
​
Both were directed by artistic director Peter DuBouis​​, choreographed by Danny Pelzig, and musically directed by Eric Stern
​

​Nick returned for his seventh and eighth times to the Greater Boston Stage Company (formerly Stoneham Theatre)

First, for the classic musical, She Loves Me

It was directed and choreographed by Ilyse Robbins with musical direction by Matt Stern

Second, for a new musical adaptation of the classic sacred myth of ​Jonah and the Whale as the Pastor, Narrator 2, Twill, Young Man, Dogcatcher, et al.

Set along the Mississippi river, it featured a folk, blue-grass score with music and lyrics by David Darrow and Blake Thomas​, and was directed by artistic director Weylin Symes

​
​
Nick journeyed into the world of opera, appearing in
​Boston Lyric Opera's production of The Marriage of Figaro

​It was directed by Rosetta Cucchi

​​​
​

​
Nick returned to the Stoneham Theatre stage as Oscar Lindquist in Sweet Charity, directed and choreographed by ​Ilyse Robbins

​
​Nick was excited to join the Boston cast of America's longest-running play, Shear Madness at the Charles Playhouse
​
​

​For yet another holiday season, Nick returned to New Repertory Theatre as Kai in The Snow Queen, a new musical adaptation of the Hans Christian Andersen tale, written and directing by Rick Lombardo

 

​
​
​Nick also spent a great week at Merrimack Repertory Theatre on a workshop of a new play in development with a working title of You Enjoy Myself  by playwright Topher Payne, as the character Caleb, under the direction of artistic director Sean Daniels

​​He had the opportunity to play the part of Chad in a reading of Kathleen Cahill's Harbur Gate, the 2013 NNPN commission winner, at the National New Play Network annual conference
​
​

Nick read the part of Val in a reading of the new play Home of the Brave by playwright Lila Rose Kaplan

It was part of the Breaking Ground festival of new works for the
​Huntington Theatre Company and was directed by Sean Daniels

---

​PRESS

​​ 
SWEET CHARITY  as Oscar Lindquist,  Stoneham Theatre

Sulfaro is nerdy and sweet as Charity’s fiancé and his delivery of the title song is one of the show’s highlights.  Sulfaro makes Oscar believable in the hilarious elevator scene, lovable in the goofy diner scene, and then surprisingly unable to make good on his promises in the end   
          - The Boston Globe (Terry Byrne)

 Sulfaro's panic attack is riotously funny, even as he falls under Charity’s spell.  Sulfaro underplays the role, but to perfect comic effect as counterpoint to Charity’s outgoing force-of-nature personality.  Just watch for his fantastic musical number at Coney Island, keeping up with Dunleavy (Charity) every step of the way.
          - Medford Wicked Local (Dan Coakley)


​
PHOTOGRAPH 51  as Ray Gosling,  Nora Theatre Company

I saw Nick Sulfaro not long ago as a stupendous and memorable Angel.  In this much more sedate role, he is capable and affecting, demonstrating another pole of a considerable dramatic range.  I would be on the lookout for what he does next.
          - Boston Arts Diary (Barry Andelman)



BAT BOY: the musical  as Bat Boy,  Metro Stage Company
                                                                                 *  IRNE Nomination for Best Actor in a Musical,  the Independent Reviewers of New England

Here you find several future stars, particularly Nick Sulfaro, who made a wittily gonzo Bat Boy
          - The Hub Review (Thomas Garvey)

Sulfaro is so good at the role that he doesn't need much in the way of special makeup.  His athletic performance does the work that might otherwise have been left to latex: He cringes, leaps, snarls, and eventually, like Frankenstein's monster, becomes a gentle, articulate being
          - Edge Boston (Kilion Malloy)



CAMELOT  as Mordred,  New Repertory Theatre

The find of the cast is the charismatic Nick Sulfaro as Mordred, Arthur's illegitimate (and evil) son
          - Arts Fuse (Iris Fanger)

Nick Sulfaro is so slimily good as the ethically barren Mordred that he made me want to rush to the stage and choke him
          - Boston Events Insider (Mike Hohan)

Nick Sulfaro is an excellent and foul Mordred
          - Joyce's Choices (Joyce Kulhawik)



THE FULL MONTY  as Malcolm McGregor,  Stoneham Theatre

Nick Sulfaro as sad, lonely Malcolm McGregor is a heart-stealer
          - Theatre Mirror (Sheila Harth)

​

THE LITTLE PRINCE  as The Aviator,  New Repertory Theatre

Sulfaro handles his transition from rigid pragmatism to spiritual awakening with a very appealing subtlety... he triumphs in song
          - broadwayworld.com



Dr. JEKYLL AND Mr. HYDE  as Hyde, Poole, the Maid, et al.,  Stoneham Theatre

Sulfaro is nearly reptilian as he slithers and struts about as the most vengeful aspects of Hyde
          - Edge Boston (Jennifer Bubriski)

impresses in several roles and supplies much needed amusement
          - Boston Arts Review (Beverly Creasy)

​

​A LITTLE NIGHT MUSIC  as Mr. Erlanson (the tenor liebeslieder),  Huntington Theatre Company

considerable vocal chops

          - broadwayworld.com



RENT  as Angel,  New Repertory Theatre

The real stand out was Nick Sulfaro... It is the most heroic role in Rent and he lived up to it superbly.
          - Boston Arts Diary (Barry Andelman)

The find in the company is Sulfaro.  With the voice of an angel (pun intended), he captures the good-heartedness and vitality of the role.  No small feat, Sulfaro appears nonchalant and natural
          - broadwayworld.com (Nancy Grossman)

Parent [Collins] and Sulfaro endow this love affair with plausibility and poignancy
           - The Boston Globe (Don Aucoin)

​