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  ACTOR / SINGER

REVIEWS


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SWEET CHARITY  as Oscar Lindquist,  Stoneham Theatre

[Charity] meets her match with Nick Sulfaro’s Oscar.  Sulfaro is nerdy and sweet as Charity’s fiancé and his delivery of the title song is one of the show’s highlights.  Sulfaro makes Oscar believable in the hilarious elevator scene, lovable in the goofy diner scene, and then surprisingly unable to make good on his promises in the end   
          - The Boston Globe (Terry Byrne)

 Sulfaro's panic attack is riotously funny, even as he falls under Charity’s spell.  Sulfaro underplays the role, but to perfect comic effect as counterpoint to Charity’s outgoing force-of-nature personality.  Just watch for his fantastic musical number at Coney Island, keeping up with Dunleavy (Charity) every step of the way.
          - Medford Wicked Local (Dan Coakley)



RENT  as Angel,  New Repertory Theatre

The real stand out was Nick Sulfaro as Angel.  He conveyed the character with heart, warmth, and gusto.  There was pathos in the role and a great deal of energy.  It is the most heroic role in Rent and he lived up to it superbly.
          - Boston Arts Diary (Barry Andelman)

The find in the company is Sulfaro.  With the voice of an angel (pun intended), he captures the good-heartedness and vitality of the role.  No small feat, Sulfaro appears nonchalant and natural
          - broadwayworld.com (Nancy Grossman)

Parent [Collins] and Sulfaro endow this love affair with plausibility and poignancy
           - The Boston Globe (Don Aucoin)



PHOTOGRAPH 51  as Ray Gosling,  Nora Theatre Company

I saw Nick Sulfaro not long ago as a stupendous and memorable Angel.  In this much more sedate role, he is capable and affecting, demonstrating another pole of a considerable dramatic range.  I would be on the lookout for what he does next.
          - Boston Arts Diary (Barry Andelman)



BAT BOY: the musical  as Bat Boy,  Metro Stage Company
                                                                                 *  IRNE Nomination for Best Actor in a Musical,  the Independent Reviewers of New England

Here you find several future stars, particularly Nick Sulfaro, who made a wittily gonzo Bat Boy
          - The Hub Review (Thomas Garvey)

Sulfaro is so good at the role that he doesn't need much in the way of special makeup.  His athletic performance does the work that might otherwise have been left to latex: He cringes, leaps, snarls, and eventually, like Frankenstein's monster, becomes a gentle, articulate being.
          - Edge Boston (Kilion Malloy)



CAMELOT  as Mordred,  New Repertory Theatre

The find of the cast is the charismatic Nick Sulfaro as Mordred, Arthur's illegitimate (and evil) son
          - Arts Fuse (Iris Fanger)

Nick Sulfaro is so slimily good as the ethically barren Mordred that he made me want to rush to the stage and choke him
          - Boston Events Insider (Mike Hohan)

Sulfaro is positively sinister as Mordred, introducing a tough edge, lots of color, and a great Scottish accent to the show
          - Metro West Daily News (David Brooks Andrews)

Nick Sulfaro is an excellent and foul Mordred
          - Joyce's Choices (Joyce Kulhawik)




THE FULL MONTY  as Malcolm McGregor,  Stoneham Theatre

Nick Sulfaro as sad, lonely Malcolm McGregor is a heart-stealer
          - Theatre Mirror (Sheila Harth)

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THE LITTLE PRINCE  as The Aviator,  New Repertory Theatre

Sulfaro handles his transition from rigid pragmatism to spiritual awakening with a very appealing subtlety. He gradually loosens and becomes more animated with each new story that The Little Prince tells. By the end of Act I, when he realizes that he has lost but is now reconnecting with his childhood, he triumphs in song
          - broadwayworld.com




Dr. JEKYLL AND Mr. HYDE  as Hyde, Poole, the Maid, et al.,  Stoneham Theatre

Nick Sulfaro is nearly reptilian as he slithers and struts about as the most vengeful aspects of Hyde
          - Edge Boston (Jennifer Bubriski)

Nick Sulfaro impresses in several roles and his nervous butler supplies much needed amusement
          - Boston Arts Review (Beverly Creasy)

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A LITTLE NIGHT MUSIC  as Mr. Erlanson (the tenor liebeslieder),  Huntington Theatre Company

The roster of Bostonians includes four of the five members of the Quintet ...(including Nick Sulfaro)... Most of these are making their HTC debuts and it is rewarding to see [these] regulars like Sulfaro... getting the chance to strut their stuff (and their considerable vocal chops)
          - broadwayworld.com

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